Triple Threat: Ida Rubinstein as Patron, Impresario, and Director
LOUIS EPSTEIN
Harvard University
Music and the Pirates of Madagascar
BASIL CONSIDINE
Boston University
Michael Gordon’s Decaying Orchestra: Decasia as Audiovisual Elegy
HANNAH LEWIS
Harvard University
MATTHEW MUGMON
Harvard University
Copland, Mahler, and the American Sound
Choreographic Notation: Richard Barrett’s Ne songe plus à fuir
BRENT WETTERS
Providence, RI
“Computer, Please Replicate One Viola”:
The Reanimation of Classical Music in the Future
MAX DE CURTINS
Boston, MA
12:20-2:20 Lunch Break
4:40 Afternoon Refreshments
9:45-10:15 Registration and Refreshments
2:20-2:35 Business Meeting